Technological developments

Computers and telecommunications transformed the production process for the modern newspaper. They also led to changes in the quality of the newspaper itself, but their real impact was on the finances of the newspaper industry and on the relevance of the traditional print workers. One of the first signs of technology’s potential for change came in the 1930s, when Walter Morey developed the Teletypesetter (first demonstrated in 1928). This machine was an improvement on the telegraph, which was widely used by reporters in the field and by the wire services, such as Reuters and Associated Press, to send news items in draft form to editorial offices miles away. With the Teletypesetter, the impulses sent over the wire included encoded instructions to Linotype machines. The machines could then decode the instructions and automatically prepare whole pages ready for printing. It was therefore envisaged that the reporter would have the facility for “direct input” into the printing room, which would eliminate the need for retyping by a Linotype operator and thus save newspapers both time and money.

But direct input had to await the development of sophisticated computers and computer programs, which did not materialize until after World War II. In 1946 the first techniques of photocomposition were developed. With this method of typesetting, the images of pages are prepared for the printer photographically, as on a photocopier, instead of in lines of metal type. The new method was introduced gradually in newspapers, where the Linotype machines had worked well enough for more than half a century and where union opposition to the new technology was deeply entrenched. Technological advances were accelerated in the 1970s, especially through the introduction of computers and computer programs that were tailor-made for the newspaper publisher. Many newspaper companies replaced their 19th-century printing systems with the new technology almost overnight.

In a modern newspaper office each journalist has a desktop terminal or computer—i.e., a keyboard and monitor connected to the main computer. The monitor shows the current article or, in the case of a copy editor, the whole of the page being composed from various articles and pictures. While writing, the reporter can retrieve information stored in the computer, such as any previous articles on the same subject, which can be displayed on the screen alongside the new copy. This split-screen technology also allows the copy editor to move copy around the screen on special page-layout terminals until the copy fits the page. Once it is ready, a push of a button sends the complete page to the main computer for eventual transformation into camera-ready composition. From there, a negative image of the page is captured on film and, depending on the type of press used, typically etched onto a printing plate.

By this direct-input process the production of a page of news is accelerated. But the new technology can serve other production purposes. On some papers it is possible for an advertiser to send copy via a fax machine, an Intranet system, or the Internet to the newspaper office, where a computer automatically finds a suitable space for it and transmits it to the copy editor’s screen. The reporter in the field, equipped with a portable terminal, can also input a story to the newspaper’s computer directly and can gain access to the computer’s library of information in the same way. If necessary, the editor can discuss the article with the reporter over the telephone or via e-mail (electronic mail) as they both look at it on their screens. Similarly, items from press agencies can be located instantly; these can be transmitted to the computer terminal via cables or over the air by satellite, enabling news to reach the other side of the world within minutes. The electronic transmission of whole pages of news between remote locations also means that the printing plant does not have to be situated near the editorial offices. This has decreased real estate or rental costs for many urban newspapers, and it has also made possible the printing of simultaneous editions of the same newspaper in different cities and even on different continents, an advantage first exploited by the British-based Financial Times and the U.S.-based Wall Street Journal.

Financial developments

The introduction of new technology in the latter part of the 20th century brought forth strong resistance from the unions of printing workers, which were traditionally among the most powerful labour unions. At first the operators of the obsolete Linotype machines were “brought upstairs” from the hot-metal shop to the newspaper offices, where they were retrained to compose copy on computer keyboards. But eventually even this function was no longer necessary as computers became more sophisticated, featuring word processing for journalists, graphics programs for illustrators, and editing programs designed specifically for newspaper editors. As the computer increasingly streamlined the basic functions of newspaper production, the proprietor was able to replace highly skilled production workers with less qualified and lower-paid staffs to handle the more routine jobs such as typing.

Even before the introduction of the Linotype machine, however, many unions in the newspaper industry had worked hard to protect the jobs and benefits of union labourers. The type compositors, together with the other craftsmen involved in printing, were well paid for their skills and for the night shifts they were obliged to work on morning papers. Overstaffing became common in newspaper printing departments when the unions laid down strict rules on the demarcation of labour (jobs that would be done only by particular employees), and working hours and conditions were precisely defined. Labour strikes represented a powerful weapon against the newspaper proprietor, since the loss of even one day’s circulation might drive the reader to another paper. It was also feared that the regular reader might find that he did not miss his newspaper enough to start buying it again after the strike, especially when radio and television made news so readily available.

In the 1960s, increased competition from television news programming and a climate of rising production costs—especially, some believe, those driven by powerful labour unions—forced many newspapers to consolidate or cease publication. In New York City, prolonged strikes by newspaper unions (1962–63) led to the closure of several papers by the end of the decade.

Corporate decisions were increasingly made at levels well above that of the newspaper’s manager; increasingly, the company owning the newspaper was a conglomerate with various industrial interests. When this was the case, it was often not committed to maintaining an unprofitable title, regardless of the newspaper’s history and tradition or its number of loyal readers. High circulation levels meant nothing if the paper did not attract advertising revenue and if inflated production costs prevented it from making any sort of profit. However, some well-known newspapers have been supported financially from the profits made by other parts of the conglomerate while others, such as The New York Times and The Washington Post, have combined family stakes in the business with corporate ownership. Owning a venerable title can be a mark of prestige for a business enterprise, and there are still entrepreneurs who hope to emulate the press barons of earlier years—especially in Britain, where a high percentage of newspaper proprietors have been raised to the peerage. It is not unusual, however, for prestigious papers to change ownership fairly frequently or experience bankruptcies and other management failures.

Maturation of newspaper markets

Despite the challenges presented by competing mass media such as radio, television, and Internet news sites, many newspapers, both large and small, have remained attractive to readers and have been run profitably.