Clotilda

slave ship
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Clotilda, schooner built near the city of Mobile, Alabama, in 1855. The last known trafficking of enslaved people from West Africa to the United States took place on the ship in 1860.

Design, construction, and context

Owner and captain: William Foster

The ship’s owner and captain, William Foster, came from a line of ship carpenters and mariners in Nova Scotia. He migrated to the Alabama Gulf Coast in 1844. The Clotilda, which he built at a shipyard in Mobile, was the culmination of his work as a craftsman. It was a two-masted schooner with ribs made of oak and planks of southern yellow pine. Unlike most Gulf schooners, which were designed with shallow coastal bays and rivers in mind, the Clotilda had a deep hull, large enough to hold 120 tons of cargo. As a schooner, it was also more agile than most larger cargo ships.

Though the ship did not travel to West Africa until 1860, Foster may well have designed the ship with the illegal but ongoing cross-border slave trade in mind. Evidence suggests that it may have been used for a number of forced voyages of enslaved Africans in the Gulf of Mexico. It was common in the antebellum years for an American ship to pick up captives in Cuba and unload them on the coasts of Texas, Louisiana, Mississippi, or Alabama. Every port where the Clotilda stopped before 1860 had known ties to the illegal international slave trade.

Financier: Timothy Meaher

In the 1850s Timothy Meaher, who owned the shipyard in which the Clotilda was constructed, was involved in a movement of Southern businessmen agitating to reopen the transatlantic slave trade. Some of them also wanted to see the United States expand the institution of slavery, including by annexing parts of Latin America and the West Indies and reintroducing the practice of slavery to Latin America. Meaher, who had hoped Mobile would serve in that vision as the trade hub of a slaveholding empire in the gulf, provided one of his ships to William Walker in 1858 for the filibuster’s renewed attempt at colonizing Central America. He also named another one of his ships the Southern Republic—an apparent nod to his vision.

According to an interview he gave in 1890, Meaher indicated that the Clotilda’s infamous 1860 voyage had been conceived in 1858 while he captained a ship that was ferrying passengers from Mobile to Montgomery, the capital of Alabama. Some Northern passengers were speculating that the federal government would soon shut down the cross-border slave trade altogether by executing any culprits who were caught. Meaher said that, as a way of calling the government’s bluff, he pledged to direct a transatlantic voyage to transport enslaved Africans, wagering that he would not be prosecuted.

1860 voyage to West Africa

Foster departed for West Africa on March 4, 1860, and arrived in the city of Ouidah (in present-day Benin) some 10 weeks later. He purchased 110 men, women, and children from representatives of the kingdom of Dahomey, which controlled the port city. It is impossible to say with total certainty where in western Africa the captives came from, but scholars have argued that the majority came from what is now either Benin or Nigeria. Kossola, a survivor of the Clotilda who later became known as Cudjo Lewis, recalled in his old age that he had been captured when Dahomean soldiers raided his town at dawn and killed all his family members.

The Clotilda returned to American shores on either July 8 or 9. It docked on the Mississippi coast and was then sneaked into Mobile Bay, supposedly under cover of night. Once the captives had been unloaded onto another ship that Meaher owned, Foster stacked the Clotilda with seven cords of firewood and burned it down to the waterline.

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Survivors and legacy

The captive Africans were hidden in a canebrake and then sold to various buyers. Many remained in the Mobile area, but others were taken upstate. After the Civil War ended in 1865 and Union forces entered Mobile, some three dozen of the liberated Clotilda survivors established a small settlement called African Town (later called Africatown), north of Mobile, where they bought property, built their own homes, spoke the languages of their homeland, and appointed their own leaders.

News of the voyage was reported immediately and syndicated in scores of newspapers across the country. Foster and two accomplices were charged with minor offenses, but those charges were soon dismissed—in Foster’s case, because of the outbreak of the Civil War in 1861. Meaher claimed years later that he was charged and released on bond in 1860, but there are no contemporary records that support that claim.

Foster recorded his memories of the voyage in a private 12-page document that he sent to a friend in September 1890. In November of that same year Meaher went public about his own involvement. But throughout the 20th century the saga was often dismissed as a myth. The publication of Sylviane Diouf’s book Dreams of Africa in Alabama: The Slave Ship Clotilda and the Story of the Last Africans Brought to America (2007) laid such conjecture to rest, showing that there was no question the voyage had actually occurred. “Far from being a hoax,” she wrote, “the last slave voyage to the United States—and the lives of the people on board—is probably the best-documented story of the American slave trade.”

In 2018 local reporter Ben Raines announced in the Mobile Press-Register that he had come across an old shipwreck that resembled the Clotilda. Archaeologists determined that the dimensions and construction materials did not match those of the Clotilda, but they followed up with a systematic survey of shipwrecks in a certain stretch of the Mobile River delta. In 2019 chief archaeologist James P. Delgado told National Geographic that the Clotilda’s remains had been identified “beyond reasonable doubt.”

In 2020 the permanent legal rights for possession of the artifacts were awarded to the Alabama Historical Commission, a state agency tasked with managing historical assets in Alabama. Artifacts recovered from the wreckage were subsequently placed on display at a new museum, the Africatown Heritage House, which opened in 2023

Nick Tabor