Homer
Why is Homer significant?
Was Homer a real person?
Did Homer write the Odyssey?
Homer (flourished 9th or 8th century bce?, Ionia? [now in Turkey]) was the presumed author of the Iliad and the Odyssey.
Although these two great epic poems of ancient Greece and Classical antiquity have always been attributed to the shadowy figure of Homer, little is known of him beyond the fact that his was the name attached in antiquity by the Greeks themselves to the poems. That there was an epic poet called Homer and that he played the primary part in shaping the Iliad and the Odyssey—so much may be said to be probable. If this assumption is accepted, then Homer must assuredly be one of the greatest of the world’s literary artists.
He is also one of the most influential authors in the widest sense, for the two epics provided the basis of Greek education and culture throughout the Classical age and formed the backbone of humane education down to the time of the Roman Empire and the spread of Christianity. Indirectly through the medium of Virgil’s Aeneid (which was loosely molded after the patterns of the Iliad and the Odyssey), directly through their revival under Byzantine culture from the late 8th century ce onward, and subsequently through their passage into Italy with the Greek scholars who fled westward from the Ottomans, the Homeric epics had a profound impact on the Renaissance culture of Italy. Since then the proliferation of translations has helped to make them the most important poems of the Classical European tradition.
It was probably through their impact on Classical Greek culture itself that the Iliad and the Odyssey most subtly affected Western standards and ideas. The Greeks regarded the great epics as something more than works of literature; they knew much of them by heart, and they valued them not only as a symbol of Hellenic unity and heroism but also as an ancient source of moral and even practical instruction.
Early references
Implicit references to Homer and quotations from the poems date to the middle of the 7th century bce. Archilochus, Alcman, Tyrtaeus, and Callinus in the 7th century and Sappho and others in the early 6th adapted Homeric phraseology and metre to their own purposes and rhythms. At the same time scenes from the epics became popular in works of art. The pseudo-Homeric “Hymn to Apollo of Delos,” probably of late 7th-century composition, claimed to be the work of “a blind man who dwells in rugged Chios,” a reference to a tradition about Homer himself. The idea that Homer had descendants known as “Homeridae,” and that they had taken over the preservation and propagation of his poetry, goes back at least to the early 6th century bce. Indeed, it was not long before a kind of Homeric scholarship began: Theagenes of Rhegium in southern Italy toward the end of the same century wrote the first of many allegorizing interpretations. By the 5th century biographical fictions were well under way; the Pre-Socratic philosopher Heracleitus of Ephesus made use of a trivial legend of Homer’s death—that it was caused by chagrin at not being able to solve some boys’ riddle about catching lice—and the concept of a contest of quotations between Homer and Hesiod (after Homer the most ancient of Greek poets) may have been initiated in the Sophistic tradition. The historian Herodotus assigned the formulation of Greek theology to Homer and Hesiod and claimed that they could have lived no more than 400 years before his own time, the 5th century bce. This should be contrasted with the superficial assumption, popular in many circles throughout antiquity, that Homer must have lived not much later than the Trojan War about which he sang.
The general belief that Homer was a native of Ionia (the central part of the western seaboard of Asia Minor) seems a reasonable conjecture for the poems themselves are in predominantly Ionic dialect. Although Smyrna and Chios early began competing for the honour (the poet Pindar, early in the 5th century bce, associated Homer with both), and others joined in, no authenticated local memory survived anywhere of someone who, oral poet or not, must have been remarkable in his time. The absence of hard facts puzzled but did not deter the Greeks; the fictions that had begun even before the 5th century bce were developed in the Alexandrian era in the 3rd and 2nd centuries bce (when false scholarship as well as true abounded) into fantastic pseudobiographies, and these were further refined by derivative scholars under the Roman Empire. The longest to have survived purports to be by Herodotus himself; but it is quite devoid of objective truth.