Romain du Roi

typeface
verifiedCite
While every effort has been made to follow citation style rules, there may be some discrepancies. Please refer to the appropriate style manual or other sources if you have any questions.
Select Citation Style
Feedback
Corrections? Updates? Omissions? Let us know if you have suggestions to improve this article (requires login).
Thank you for your feedback

Our editors will review what you’ve submitted and determine whether to revise the article.

Print
verifiedCite
While every effort has been made to follow citation style rules, there may be some discrepancies. Please refer to the appropriate style manual or other sources if you have any questions.
Select Citation Style
Key People:
Philippe Grandjean
Related Topics:
typeface

Romain du Roi, (French: King’s Roman), in printing, a roman typeface developed in France at the express order of King Louis XIV, who, in 1692, directed that a typeface be designed at any necessary expense for the exclusive use of the royal printer. The design was the work, for several years, of a committee of the Academy of Sciences, whose members ignored calligraphic models in favour of analytical and mathematical principles that, in retrospect, are said to have been characteristic of France during the so-called Age of Reason. The letters were then cut by Philippe Grandjean. It has been argued that, even though they strike some eyes as being cold, they would have been successful even without the King’s backing. There is at least a legend that the King refused a request from the King of Sweden for a set of the punches. It is a fact that every important French designer imitated the letters as closely as he could without risking royal displeasure. The complete production amounted to 21 different sizes of roman and italic letters in 82 complete fonts. The set was finished in 1745.