overture, Musical introduction to a larger, often dramatic, work. Originating with Claudio Monteverdi’s Orfeo (1607), overtures served as openings for operas. The large-scale two- or three-part “French overture” invented by Jean-Baptiste Lully (1658) for his operas and ballets was widely imitated for a century. The sinfonia, the standard Italian overture form in the late 17th and 18th centuries, was a principal precursor of the three-part sonata form and thus provided the model for the earliest symphonies, which consisted of three movements. In the 19th century, overtures independent of any larger work usually illustrated a literary or historical theme (see symphonic poem). Overtures to operettas and musicals have traditionally been medleys of their themes.
overture Article
overture summary
Below is the article summary. For the full article, see overture.
Romanticism Summary
Romanticism, attitude or intellectual orientation that characterized many works of literature, painting, music, architecture, criticism, and historiography in Western civilization over a period from the late 18th to the mid-19th century. Romanticism can be seen as a rejection of the precepts of
Felix Mendelssohn Summary
Felix Mendelssohn was a German composer, pianist, musical conductor, and teacher, one of the most-celebrated figures of the early Romantic period. In his music, Mendelssohn largely observed Classical models and practices while initiating key aspects of Romanticism—the artistic movement that exalted
Franz Liszt Summary
Franz Liszt was a Hungarian piano virtuoso and composer. Among his many notable compositions are his 12 symphonic poems, two (completed) piano concerti, several sacred choral works, and a great variety of solo piano pieces. Liszt’s father, Ádám Liszt, was an official in the service of Prince
Hector Berlioz Summary
Hector Berlioz was a French composer, critic, and conductor of the Romantic period, known largely for his Symphonie fantastique (1830), the choral symphony Roméo et Juliette (1839), and the dramatic piece La Damnation de Faust (1846). His last years were marked by fame abroad and hostility at home.