Jerry Lewis summary

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Below is the article summary. For the full article, see Jerry Lewis.

Jerry Lewis, orig. Joseph Levitch, (born March 16, 1926, Newark, N.J., U.S.—died Aug. 20, 2017, Las Vegas, Nev.), U.S. actor, director, and producer. In 1946 he developed a nightclub comedy routine with Dean Martin (1917–95), who played the suave crooner to Lewis’s zany clown, and they appeared together in 16 movies, including My Friend Irma (1949) and Pardners (1956), before ending their partnership in 1956. Lewis then directed, produced, and acted in movies such as The Bellboy (1960) and The Nutty Professor (1963). These films, along with his collaborations with director Frank Tashlin, led many critics (especially in Europe) to regard Lewis as the comic heir to Charlie Chaplin and Buster Keaton. From 1966 to 2010 Lewis hosted the U.S. annual telethon for the Muscular Dystrophy Association (MDA); in 2011 he stepped down as national chairman of the MDA. Lewis received the Jean Hersholt Humanitarian Award in 2009.

Frank Tashlin Summary

Frank Tashlin was an American cartoonist, writer, animator, and film director who specialized in broad satirical comedies. Tashlin directed his animated cartoons like live-action films—employing a wide range of cinematic techniques—and transposed the elastic composition, loud colour, boisterous

Academy Award Summary

Academy Award, any of a number of awards presented annually by the Academy of Motion Picture Arts and Sciences, located in Beverly Hills, California, U.S., to recognize achievement in the film industry. The awards were first presented in 1929, and winners receive a gold-plated statuette commonly

directing Summary

Directing, the craft of controlling the evolution of a performance out of material composed or assembled by an author. The performance may be live, as in a theatre and in some broadcasts, or it may be recorded, as in motion pictures and the majority of broadcast material. The term is also used in

acting Summary

Acting, the performing art in which movement, gesture, and intonation are used to realize a fictional character for the stage, for motion pictures, or for television. (Read Lee Strasberg’s 1959 Britannica essay on acting.) Acting is generally agreed to be a matter less of mimicry, exhibitionism, or