Jean Cocteau Article

Jean Cocteau summary

verifiedCite
While every effort has been made to follow citation style rules, there may be some discrepancies. Please refer to the appropriate style manual or other sources if you have any questions.
Select Citation Style
Feedback
Corrections? Updates? Omissions? Let us know if you have suggestions to improve this article (requires login).
Thank you for your feedback

Our editors will review what you’ve submitted and determine whether to revise the article.

External Websites
Below is the article summary. For the full article, see Jean Cocteau.

Jean Cocteau, (born July 5, 1889, Maisons-Laffitte, near Paris, France—died Oct. 11, 1963, Milly-la-Forêt, near Paris), French poet, playwright, and film director. He published his first collection of poems, La Lampe d’Aladin, at age 19. He converted to Catholicism early but soon renounced religion. During World War I he was an ambulance driver on the Belgian front, the setting for the novel Thomas l’imposteur (1923). In the years when he was addicted to opium, he produced some of his most important works, including the play Orphée (1926) and the novel Les Enfants terribles (1929). His greatest play is thought to be The Infernal Machine (1934). His first film was The Blood of a Poet (1930); he returned to filmmaking in the 1940s, first as a screenwriter and then as a director, and made such admired films as Beauty and the Beast (1945), Orphée (1949), and Le Testament d’Orphée (1960). Musically, Cocteau was closely associated with the group of composers known as Les Six; among other collaborations, he provided ballet scenarios for Erik Satie (Parade, 1917) and Darius Milhaud (Le Boeuf sur le toit, 1920) and wrote librettos for Igor Stravinsky (Oedipus, 1927) and Milhaud (La Voix humaine, 1930). Also an artist, he illustrated numerous books with his vivid drawings, and he worked as a designer as well.