Jean Cocteau, (born July 5, 1889, Maisons-Laffitte, near Paris, France—died Oct. 11, 1963, Milly-la-Forêt, near Paris), French poet, playwright, and film director. He published his first collection of poems, La Lampe d’Aladin, at age 19. He converted to Catholicism early but soon renounced religion. During World War I he was an ambulance driver on the Belgian front, the setting for the novel Thomas l’imposteur (1923). In the years when he was addicted to opium, he produced some of his most important works, including the play Orphée (1926) and the novel Les Enfants terribles (1929). His greatest play is thought to be The Infernal Machine (1934). His first film was The Blood of a Poet (1930); he returned to filmmaking in the 1940s, first as a screenwriter and then as a director, and made such admired films as Beauty and the Beast (1945), Orphée (1949), and Le Testament d’Orphée (1960). Musically, Cocteau was closely associated with the group of composers known as Les Six; among other collaborations, he provided ballet scenarios for Erik Satie (Parade, 1917) and Darius Milhaud (Le Boeuf sur le toit, 1920) and wrote librettos for Igor Stravinsky (Oedipus, 1927) and Milhaud (La Voix humaine, 1930). Also an artist, he illustrated numerous books with his vivid drawings, and he worked as a designer as well.
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Surrealism Summary
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directing Summary
Directing, the craft of controlling the evolution of a performance out of material composed or assembled by an author. The performance may be live, as in a theatre and in some broadcasts, or it may be recorded, as in motion pictures and the majority of broadcast material. The term is also used in
poetry Summary
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ballet Summary
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