Hokusai , orig. Katsushika Hokusai, (born Oct. 1760, Edo, Japan—died May 10, 1849, Edo), Japanese painter, draftsman, printmaker, and book illustrator. Apprenticed to a woodcut engraver at 15, he became a student of the leading ukiyo-e master, Katsukawa Shunsho, in 1778. His first published works, prints of kabuki actors, appeared the following year. He soon turned to historical and landscape subjects and prints of children. He developed an eclectic style and achieved success with book illustrations and surimono prints (“printed things” for special occasions, such as cards and announcements), picture books and novelettes, erotic books and album prints, paintings, and ink sketches. He experimented with Western-style perspective and use of colour and later concentrated on samurai themes and Chinese subjects. His Thirty-six Views of Mount Fuji (1826–33), a series of prints, marked a summit in the history of the Japanese landscape print; in grandeur of concept and skill of execution there was little approaching it before and nothing to surpass it later. He had numerous followers, though none had his power or versatility.
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Hokusai summary
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drawing Summary
Drawing, the art or technique of producing images on a surface, usually paper, by means of marks, usually of ink, graphite, chalk, charcoal, or crayon. Drawing as formal artistic creation might be defined as the primarily linear rendition of objects in the visible world, as well as of concepts,
painting Summary
Painting, the expression of ideas and emotions, with the creation of certain aesthetic qualities, in a two-dimensional visual language. The elements of this language—its shapes, lines, colors, tones, and textures—are used in various ways to produce sensations of volume, space, movement, and light
printmaking Summary
Printmaking, an art form consisting of the production of images, usually on paper but occasionally on fabric, parchment, plastic, or other support, by various techniques of multiplication, under the direct supervision of or by the hand of the artist. Such fine prints, as they are known