Charlie Parker, orig. Charles Christopher Parker, Jr., (born Aug. 29, 1920, Kansas City, Kan., U.S.—died March 12, 1955, New York, N.Y.), U.S. saxophonist and composer. He played with Jay McShann’s big band (1940–42) and those of Earl Hines (1942–44) and Billy Eckstine (1944) before leading his own small groups in New York City. (A nickname acquired in the early 1940s, Yardbird, was shortened to Bird and used throughout his career.) Parker frequently worked with Dizzy Gillespie in the mid-1940s, making a series of small-group recordings that heralded the arrival of bebop as a mature outgrowth of the improvisation of the late swing era. His direct, cutting tone and unprecedented dexterity on the alto saxophone made rapid tempos and fast flurries of notes trademarks of bebop, and his complex, subtle harmonic understanding brought an altogether new sound to the music. Easily the most influential jazz musician of his generation, Parker suffered chronic drug addiction, and his early death contributed to making him a tragic legend.
Charlie Parker Article
Charlie Parker summary
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Grammy Award Summary
Grammy Award, any of a series of awards presented annually in the United States by the National Academy of Recording Arts & Sciences (NARAS; commonly called the Recording Academy) or the Latin Academy of Recording Arts & Sciences (LARAS; commonly called the Latin Recording Academy) to recognize
band Summary
Band, (from Middle French bande, “troop”), in music, an ensemble of musicians playing chiefly woodwind, brass, and percussion instruments, in contradistinction to an orchestra, which contains stringed instruments. Apart from this specific designation, the word band has wide vernacular application,
music Summary
Music, art concerned with combining vocal or instrumental sounds for beauty of form or emotional expression, usually according to cultural standards of rhythm, melody, and, in most Western music, harmony. Both the simple folk song and the complex electronic composition belong to the same activity,
jazz Summary
Jazz, musical form, often improvisational, developed by African Americans and influenced by both European harmonic structure and African rhythms. It was developed partially from ragtime and blues and is often characterized by syncopated rhythms, polyphonic ensemble playing, varying degrees of