Arthur Miller, (born Oct. 17, 1915, New York, N.Y., U.S.—died Feb. 10, 2005, Roxbury, Conn.), U.S. playwright. He began writing plays while a student at the University of Michigan. His first important play, All My Sons (1947), was followed by his most famous work, Death of a Salesman (1949, Pulitzer Prize), the tragedy of a man destroyed by false values that are in large part the values of his society. Noted for combining social awareness with a searching concern for his characters’ inner lives, Miller wrote many other plays, including The Crucible (1953), which uses a plot about the Salem witch trials to attack McCarthyism, A View from the Bridge (1955), After the Fall (1964), The Last Yankee (1992), and Resurrection Blues (2002). He also wrote short stories, essays, and the screenplay for The Misfits (1961), which starred his second wife, Marilyn Monroe.
Arthur Miller Article
Arthur Miller summary
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Marilyn Monroe Summary
Marilyn Monroe was an American actress who became a major sex symbol, starring in a number of commercially successful films during the 1950s, and is considered a pop culture icon. Norma Jeane Mortenson later took her mother’s name, Baker. Her mother was frequently confined in an asylum, and Norma
autobiography Summary
Autobiography, the biography of oneself narrated by oneself. Autobiographical works can take many forms, from the intimate writings made during life that were not necessarily intended for publication (including letters, diaries, journals, memoirs, and reminiscences) to a formal book-length
Elia Kazan Summary
Elia Kazan was a Turkish-born American film director and author noted for his successes on the stage—especially with plays by Tennessee Williams and Arthur Miller—as well as for his critically acclaimed films and for his role in developing a revolutionary style of acting that embodied psychological
short story Summary
Short story, brief fictional prose narrative that is shorter than a novel and that usually deals with only a few characters. The short story is usually concerned with a single effect conveyed in only one or a few significant episodes or scenes. The form encourages economy of setting, concise