Alexander Calder, (born July 22 or Aug. 22, 1898, Lawnton, Pa., U.S.—died Nov. 11, 1976, New York, N.Y.), U.S. sculptor. He was the son and grandson of sculptors, and his mother was a painter. He studied mechanical engineering, receiving a degree in 1919, and in 1923 attended the Art Students League in New York City, where he was influenced by artists of the Ash Can school. In 1924 he was a sketch artist for the National Police Gazette. In 1926 Calder moved to Paris and began making animals and circus performers of wood and wire; from these he developed Cirque Calder (1926–31), a miniature circus of mechanical figures. In the 1930s he became well known in Paris and the U.S. for his wire sculptures, as well as for portraits, continuous-line drawings, and abstract, motor-driven constructions. Calder is best known for his breakthrough creation of the mobile, a forerunner of kinetic sculpture. He also constructed nonmovable sculptural works known as stabiles. Although Calder’s early mobiles and stabiles were relatively small, he increasingly moved toward monumentality in his later works. His art was recognized with many large-scale exhibitions.
Alexander Calder Article
Alexander Calder summary
Below is the article summary. For the full article, see Alexander Calder.
sculpture Summary
Sculpture, an artistic form in which hard or plastic materials are worked into three-dimensional art objects. The designs may be embodied in freestanding objects, in reliefs on surfaces, or in environments ranging from tableaux to contexts that envelop the spectator. An enormous variety of media