R.K. Laxman (born October 24, 1921, Mysore [now Mysuru], Karnataka, India—died January 26, 2015, Pune, Maharashtra) was an Indian cartoonist who created the daily comic strip You Said It, which chronicles Indian life and politics through the eyes of the Common Man, a bulbous-nosed, bespectacled observer dressed in a dhoti and a distinctive checked coat. This character served as a silent witness to corrupt bureaucracy, political opportunism, and economic challenges, prompting readers to muse on the archetypal experience of being Indian in the 1960s.
Laxman was the youngest of eight siblings, and the illustrious writer R.K. Narayan was one of his elder brothers. During his school years Laxman was more passionate about drawing than about academics, excelling in art but struggling with subjects such as arithmetic. In his book The Tunnel of Time: An Autobiography (1998), he remarked:
An artist, that was what I wanted to be. I found learning arithmetic, geometry, geography, languages somewhat an intrusion into my natural pursuit of sitting on a bench in the market square with my sketch book, observing people and recording my impressions.
As a child he spent hours studying the detailed black-and-white illustrations in Strand Magazine and other publications such as Punch. After completing high school, he applied to the prestigious Sir J.J. School of Art in Bombay (now Mumbai), to which he was required to submit 12 art samples as part of his application. After a nerve-wracking wait, he received a letter from the school stating that his work did not meet the standard for admission. The letter advised him to continue his studies elsewhere.
He went on to complete his studies at the Maharaja’s College in Mysore (now Mysuru), where he pursued a Bachelor of Arts. Years later, in a moment of irony, Laxman was invited to the Sir J.J. School of Art as a guest of honor to distribute prizes to students, despite the school’s earlier rejection of his application. In his autobiography, Laxman recalls his speech at the event, in which he sarcastically addressed the institution:
I said I was grateful to the dean who had administered the JJ School years ago for rejecting my application. If I had been accepted and had I graduated clutching a diploma in art, perhaps I would not have been the cartoonist that I had become.
Laxman’s artistic progression was deeply influenced by British political cartoonist David Low, whose work he first encountered in the English-language Indian daily newspaper The Hindu. Initially, he gravitated toward Low’s expert draftsmanship, unaware of the political context of the drawings. He closely observed Low’s technique, particularly his use of caricature and subtle exaggeration. In 1952 Laxman had the chance to meet Low during Low’s visit to India, further reinforcing the influence of his approach on Laxman’s style.
While at college, Laxman illustrated stories by his novelist brother, R.K. Narayan, in The Hindu. His first involvement in cartooning came when he contributed illustrations for the magazine Koravanji in Bangalore (now Bengaluru) during World War II. His satirical depictions of wartime blackouts and rationing captured public attention.
Laxman moved to Bombay after 1946 and joined the Free Press Journal as a political cartoonist. It was there that he worked alongside Bal Thackeray, who later became a prominent figure in Indian politics. His sketches also extended to the television adaptation of Narayan’s Malgudi Days (1986–2006), bringing his brother’s fictional world of Malgudi to life through his illustrations. In 1951 Laxman moved to The Times of India, where he created the comic strip You Said It, which adorned the newspaper’s front page into the 21st century. Laxman’s Common Man is witty and sarcastic but never venomous, and his outlook was said to represent that of countless average Indians. Laxman used his creation to deliver sharp, satirical commentary on the nation’s politics, without the character himself uttering a word, making him a potent yet understated presence in the nation’s imagination. The comic strip also served as the basis for a comedy series on Indian TV, R.K. Laxman Ki Duniya (2011–13). Laxman’s paintbrush left a significant mark on Indian advertising with his creation of Gattu, the famous mascot for Asian Paints, an Indian paint and decor company, in 1954. Sporting a mischievous expression and holding a paintbrush, Gattu helped the brand connect with homeowners, rather than just professional painters. Gattu played a crucial role in transforming Asian Paints’ market presence, contributing to a tenfold increase in sales over four years.
Laxman published numerous short stories, essays, and travel articles, some of which were collected in The Distorted Mirror (2003). He also wrote the novels The Hotel Riviera (1988) and The Messenger (1993) as well as his autobiography. In addition, numerous collections of Laxman’s cartoons were published. His legacy is immortalized through the statue of the Common Man, located near the Symbiosis Institute in Pune, India.