Naram-Sin
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Assorted References
- victory commemoration stela
- In Mesopotamian art and architecture: Sculpture
…is evident in the famous Naram-Sin (Sargon’s grandson) stela, on which a pattern of figures is ingeniously designed to express the abstract idea of conquest. Other stelae and the rock reliefs (which by their geographic situation bear witness to the extent of Akkadian conquest) show the carving of the period…
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- In Mesopotamian art and architecture: Sculpture
history of
- Akkadian epics
- In Mesopotamian religion: Epics
…the Akkadian empire long after Naram-Sin, which was wrongly attributed to that ruler’s presumed pride and the gods’ retaliation, is the theme of “The Fall of Akkad.” Akkadian epic tradition continues and gives focus to the Sumerian tales of Gilgamesh.
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- In Mesopotamian religion: Epics
- Ebla
- In Ebla
…an attack by Sargon’s grandson Naram-Sin (c. 2240 bce). There followed a 250-year period of impoverishment, after which an Amorite group sacked Ebla and established its own dynasty. The Amorites rebuilt the palace and a temple, and a statue representing one of their kings was excavated in the ruins. Only…
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- In Ebla
- Lullubi
- In Lullubi
…reign of the Akkadian king Naram-Sin (reigned c. 2254–c. 2218 bc) and at the end of the dynasty of Akkad (2334–2154 bc). The Lullubi were apparently subjugated by Naram-Sin, who commemorated his triumph on a masterpiece of Mesopotamian sculpture, the Naram-Sin stele; the tribes, however, soon regained their independence and…
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- In Lullubi
- Mesopotamia
- In history of Mesopotamia: Sargon’s reign
…of inscriptions) left by Manishtusu, Naram-Sin, and Shar-kali-sharri speak time and again of rebellions and victorious battles and since Rimush, Manishtusu, and Shar-kali-sharri are themselves said to have died violent deaths, the problem of what remained of Akkad’s greatness obtrudes. Wars and disturbances, the victory of one and the defeat…
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- In history of Mesopotamia: Sargon’s reign
representation in
- bronze sculpture in Nineveh
- In Nineveh: History
…the head might represent King Naram-Sin (c. 2254–c. 2218 bce). The hypothesis for the earlier period seems preferable, for metalwork advanced more rapidly in style in Mesopotamia at that period than did stone sculpture, and it is known from inscriptions that Sargon’s second son, Manishtusu, had built the temple of…
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- In Nineveh: History
- Middle Eastern religion
- In Middle Eastern religion: Views of man and society
Naram-Sin (23rd century bc) prefixed the sign for divinity before his name and was officially a god. The same usage is attested among kings of the 3rd dynasty of Ur (c. 2112 bc–2004 bc).
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- In Middle Eastern religion: Views of man and society