Morton Gould

American musician and composer
verifiedCite
While every effort has been made to follow citation style rules, there may be some discrepancies. Please refer to the appropriate style manual or other sources if you have any questions.
Select Citation Style
Feedback
Corrections? Updates? Omissions? Let us know if you have suggestions to improve this article (requires login).
Thank you for your feedback

Our editors will review what you’ve submitted and determine whether to revise the article.

External Websites
Britannica Websites
Articles from Britannica Encyclopedias for elementary and high school students.
Print
verifiedCite
While every effort has been made to follow citation style rules, there may be some discrepancies. Please refer to the appropriate style manual or other sources if you have any questions.
Select Citation Style
Feedback
Corrections? Updates? Omissions? Let us know if you have suggestions to improve this article (requires login).
Thank you for your feedback

Our editors will review what you’ve submitted and determine whether to revise the article.

External Websites
Britannica Websites
Articles from Britannica Encyclopedias for elementary and high school students.
Quick Facts
Born:
Dec. 10, 1913, Richmond Hill, N.Y., U.S.
Died:
Feb. 21, 1996, Orlando, Fla.

Morton Gould (born Dec. 10, 1913, Richmond Hill, N.Y., U.S.—died Feb. 21, 1996, Orlando, Fla.) was an American composer, conductor, and pianist noted for his synthesis of popular idioms with traditional forms of composition and orchestration.

Gould studied piano with Abby Whiteside and composition with Vincent Jones at the New York Institute of Musical Art. After working as a radio accompanist, he arranged and conducted a series of radio programs devoted to the more popular classical literature, and thereafter he composed and conducted for films, television, the theatre, and recordings. He became a popular guest conductor with many major American symphony orchestras. His compositions often utilize American themes and include musical comedies, ballets, numerous orchestral works, and some pieces for piano. Among his more notable works are the Latin-American Symphonette (1941), Lincoln Legend (1942), Interplay (1945), the score of the Broadway musical Billion Dollar Baby (1945), and the Fall River Legend ballet score (1948).

This article was most recently revised and updated by Encyclopaedia Britannica.