Micheline Ostermeyer: Strength and Artistry
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Micheline Ostermeyer of France created magic with her hands, both on the track and off. A two-time Olympic gold medalist, Ostermeyer was an accomplished pianist who excelled artistically at the same time she was a track-and-field star.
Ostermeyer’s first love was music, and at age 14 she enrolled at the Paris Conservatory of Music. After World War II broke out, she returned to her family home in Tunisia. There she competed in local and international athletic events through the French Athletic Association. After the war Ostermeyer returned to the conservatory and focused again on her music education. In the months before the 1948 Olympic Games in London, Ostermeyer was approached by the French Olympic team and asked to compete in the discus event. When she accepted, the team hired four coaches to train her. Leading up to the Games, she split her time between her two passions—practicing the piano five to six hours during the day, followed by five to six hours of track practice in the evenings. Ostermeyer graduated with high honours from the conservatory just three months before the Olympics.
The hard work paid off. The 25-year-old Ostermeyer was a dominant presence at the 1948 Games. She won a gold medal in the shot put with a winning heave of 45 feet 1.5 inches (13.75 metres), a throw more than two feet longer than that of silver medalist Amelia Piccinini of Italy. Ostermeyer also outdistanced the competition by more than two feet in the discus. Her winning throw was 137 feet 6 inches (41.92 metres). Ostermeyer took home a bronze medal in the high jump, her final event at the 1948 Games.
After the Olympics Ostermeyer turned her attention back to music. She enjoyed a long and successful career as a soloist and teacher. Some critics dismissed her musical talent because of her athletic prowess, and for years she would not play music by Liszt because she felt he was “too sportif.”