Ken Burns
- In full:
- Kenneth Lauren Burns
- Also Known As:
- Kenneth Lauren Burns
- Founder:
- Florentine Films
- Awards And Honors:
- Grammy Award (1991)
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Ken Burns (born July 29, 1953, Brooklyn, New York, U.S.) is an American documentary director who is known for the epic historical scope of his films and miniseries. Perhaps his best-known docuseries is The Civil War (1990).
Education
Burns spent his youth in Ann Arbor, Michigan, where his father was a professor at the University of Michigan. He received a bachelor’s degree (1975) in film studies and design from Hampshire College, Amherst, Massachusetts. After graduating, Burns cofounded Florentine Films, a documentary film company, with cinematographer Buddy Squires and editor Paul Barnes.
The Civil War, Baseball, and The Vietnam War
Burns’s first major project, Brooklyn Bridge (1981), garnered an Academy Award nomination in the documentary category and set the tone for a productive career as a maker of films dealing with American history and culture. His films included The Shakers (1984), The Statue of Liberty (1985), and Huey Long (1985). It was Burns’s 11-hour 1990 television series, The Civil War, however, that secured his reputation as a master filmmaker. Burns created a sense of movement in the still photographs that appeared throughout the film by using what was to become his signature technique of panning the camera over them and zooming in on details. The series won two Emmy Awards and earned record profits.
Burns then made a combination of single films, miniseries, and extended series, including the epics Baseball (1994), which won an Emmy, and Jazz (2001). Other works covered Thomas Jefferson, explorers Meriwether Lewis and William Clark, architect Frank Lloyd Wright, boxer Jack Johnson, and feminists Elizabeth Cady Stanton and Susan B. Anthony. Burns’s later documentary series included The War (2007), which focused on World War II veterans from four American towns; The National Parks: America’s Best Idea (2009); The Tenth Inning (2010), a continuation of his history of baseball; and Prohibition (2011).
I’m a filmmaker. I’m an artist. I’ve chosen to work in history the way someone might choose to work in still lifes or landscapes if he were a painter.
Further series included The Dust Bowl (2012); The Roosevelts: An Intimate History (2014), a chronicle of the careers of U.S. Presidents Theodore Roosevelt and Franklin D. Roosevelt as well as that of Eleanor Roosevelt; and Cancer: The Emperor of All Maladies (2015), about the history of the eponymous disease and its treatment. Jackie Robinson (2016) chronicled the baseball career and civil rights achievements of its subject; it was codirected by his daughter Sarah Burns and her husband, David McMahon. The 18-hour series The Vietnam War (2017) was epic in its scope, including discussions on the origins of the conflict and its polarizing effect on Americans as well as interviews with both U.S. and Viet Cong soldiers.
Muhammad Ali, Leonardo, and The Central Park Five
In 2018 Burns codirected The Mayo Clinic: Faith – Hope – Science, a film about the world-renowned nonprofit medical institution in Rochester, Minnesota. The following year the eight-part series Country Music debuted. Burns then codirected the multipart series Hemingway (2021), about the life and work of the literary giant; Muhammad Ali (2021), an in-depth look at the legendary boxer; and The U.S. and the Holocaust (2022), which explores how racism and anti-Semitism contributed to America’s slow response to the state-sponsored killing of Jews and others by Nazi Germany during World War II. After a documentary on the American buffalo (2023), Burns codirected Leonardo da Vinci (2024), which focuses on the legendary Renaissance polymath.
The Central Park Five (2012) was a departure from the sepia-toned television programs with which Burns had become associated. The theatrically released documentary, also codirected with his daughter and her husband, shed new light on a controversial case involving a violent crime committed in New York City in 1989.
Burns frequently employes the distinctive voices of well-known actors in the narration of his films and twice collaborated on scores with jazz musician Wynton Marsalis. His documentaries continue to accrue accolades from a variety of film and historical organizations. Many of them appear on the Public Broadcasting Service (PBS) network, often bringing it a marked increase in viewership when they air.