Period of the Scienza nuova of Giambattista Vico

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Quick Facts
Born:
June 23, 1668, Naples [Italy]
Died:
January 23, 1744, Naples (aged 75)

The outline of the work that he planned to call Scienza nuova first appeared in 1720–21 in a two-volume legal treatise on the “Universal Law.” The outline was written in Latin and appeared in a chapter entitled “Nova Scientia Tentatur” (“The New Science Is Attempted”). The ideas outlined here were to be fully developed in a version that the powerful cardinal Corsini, the future pope Clement XII, agreed to sponsor. According to contemporary practice, this meant that he would assume the costs of publication. At the last moment the Cardinal withdrew, pleading financial difficulties. It is probable, however, that the Cardinal was alarmed by certain of Vico’s propositions, which were bold for that period, such as the notion that human society went through a “bestial” stage and that it is possible for society to revert to this primitive barbarism in which men possess only an obscure form of reason.

According to his autobiography, since he lacked money to publish the full text of his work, Vico sold the only jewel he possessed—a family ring—and reduced his book by two-thirds. It appeared in 1725 under the title Scienza nuova but was unsuccessful. Vico complained bitterly of the virtually universal indifference that his masterpiece evoked. He quickly regained his confidence, however, and returned to his work with energy. His mind was crowded with ideas, but ordering and systematizing them was a trying task for him. He thought as a poet, not as a dialectician. Nevertheless, he began a total revision and restructuring of his work.

In his autobiography Vico revealed that a vain hope had been born in him when Jean Leclerc, an encyclopaedist and one of the greatest scholars of the time, had written to him from Amsterdam in 1722 asking for information about him. Vico had sent his two-volume legal treatise to him, and Leclerc had devoted 17 two-column pages in the 1722 edition of his Bibliothèque ancienne et moderne (“Ancient and Modern Library”) to Vico. This, however, was a trifle in comparison with the 70 pages devoted to Paola Mattia Doria, a friend of Vico from the salons of Naples. His hope was further betrayed when the Scienza nuova was not mentioned in subsequent volumes of the celebrated Bibliothèque.

Vico’s effort to restructure his masterpiece was completed as the second edition of the Scienza nuova. It was actually the fourth edition, if the outline contained in the legal treatise and the “fragments” written between 1729 and 1732 are taken into account. The definitive edition that appeared posthumously in 1744, however, was marked terza impressione (“third edition”) and was conceived according to a very different and greatly revised plan.

Vico’s contemporaries portray him, in his old age, awakening intermittently from his exhaustion to dash off prophetic lines or to comment on a text from some classical author for the few pupils remaining to him. He found satisfaction in the fact that his eldest son, Gennaro, succeeded him in his chair at the university. Surrounded by the three survivors of his once numerous family (Ignazio had died shortly after his release from prison), Vico died. Since the stairway of his house was too narrow to permit passage of his coffin, it had to be lowered through a window, and then it was unceremoniously borne to the church of the Oratorian priests, where his remains are still kept.

Vico’s vision

Vico had his own vision of man and the universe, and, in a time when the deductive method brought into fashion by Descartes was much employed, he posed the modern problem of sense: the sense of life and of history. He discovered the irrational, the small flame that at certain times grows imperceptibly in the heart of reason. His philosophy recognized the aspirations of humanity, its obsessions and dreams, its precarious achievements, and its frustrations and defeats. He described human societies as passing through stages of growth and decay. The first is a “bestial” condition, from which emerges “the age of the gods,” in which man is ruled by fear of the supernatural. “The age of heroes” is the consequence of alliances formed by family leaders to protect against internal dissent and external attack; in this stage, society is rigidly divided into patricians and plebeians. “The age of men” follows, as the result of class conflict in which the plebeians achieve equal rights, but this stage encounters the problems of corruption, dissolution, and a possible reversion to primitive barbarism. Vico affirmed that Providence must right the course of history so that humanity is not engulfed in successive cataclysms.

According to Vico, the origin of unequal social classes, which often retain the rigidity of primitive castes, must be attributed to imperfect forms of religion, not to technological progress. All of Vico’s anthropology is based on the affirmation of the absolute primacy of religion, which was no doubt suggested to him by the thought of Giovanni Pico della Mirandola, an Italian Renaissance philosopher. Vico observed that three principles are dominant in the birth and regeneration of nations: “All the people have a religion; official marriages are celebrated among them; and the burial of the dead is a properly human and universal custom.” Modesty and piety are the basic moral sentiments, the pillars on which the family is built. When they crumble, the descent toward the bestial state of man accelerates. Without expressly saying so, Vico thought that the degeneration that struck down the idolatrous religions of ancient times could even overtake what for him was the true religion—Christianity, which had established monasteries as refuges from the world and had secured the purity of sentiments and morals.

A second basic notion of Vico is that man has a mixed nature: he remains closer to the beast than to the angel. For Vico the second stage of barbarism, which closes the age of men, arises from an excess of reflection or from the predominance of technology. This stage heralds an imminent new beginning of history. The fundamental perversity of the second stage of barbarism makes it, in fact, more dangerous than the first, which in its excess of strength contains noble impulses that need only to be brought under control. Man becomes a coward, an unbeliever, and an informer, hiding his evil intentions behind “flattery and hypocritical wheedling.” Families live huddled together in tentacled cities, veritable “deserts of souls.” These degenerate peoples do not hesitate to rush into the worst of slaveries to find shelter and protection. Money becomes the only value. This dissolution from the age of men to the bestial state exposes humanity to a fate far worse than arrests or regressions of civilizations. Vico hoped to serve warning to men of the evils that could overtake them if they became worshippers of a materialist ideology or the servants of a science uninformed by conscience.