Anne-Sophie Mutter
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- Born:
- June 29, 1963, Rheinfelden, West Germany [now Germany]
Anne-Sophie Mutter (born June 29, 1963, Rheinfelden, West Germany [now Germany]) is a German violinist, who was a superstar in the world of classical music. Although she was sometimes criticized for idiosyncratic, even willful, interpretations of the standard repertoire, she displayed an impeccable technique and produced a sound that was known for its beauty and coloration.
Mutter began piano lessons at age five but after a few months switched to the violin. At age six, after only a year of study, she won first prize with special distinction in violin in a national competition for young musicians and with her brother Christoph took a prize for the performance of a piano piece for four hands. When four years later she once more won first prize in the violin competition, she was asked not to enter again. The conductor Herbert von Karajan, who became an early mentor, first heard her in 1976, and in 1977, at age 13, she made her professional debut with Karajan and the Berlin Philharmonic Orchestra. As she began the transition from child prodigy to adult virtuoso, her career was managed by her father, who strictly limited her appearances, but she later played 100 or more concerts a year.
Mutter appeared with orchestras throughout the world, played in chamber groups, and gave solo recitals. Her repertoire included the standard violin works of the 19th and 20th centuries, but she also performed and recorded a number of pieces by contemporary composers. She gave the premieres of Chain 2: Dialogue for Violin and Orchestra and Partita for Violin and Orchestra with Piano Obbligato, both by Witold Lutosławski, a composer with whom she was especially identified, as well as the second violin concerto of Krzysztof Penderecki, which was written for her. She received many awards and honours for her recordings, including the Grand Prix du Disque and four Grammy Awards (in 1993, 1998, 1999, and 2004). She had been only 10 years old when she first gave lessons on the violin, and in 1985 she assumed the International Chair of Violin Studies at the Royal Academy of Music in London.
Mutter’s live recordings of the Ludwig van Beethoven sonatas, also featuring pianist Lambert Orkis, were released in 1999 to critical acclaim. The recordings had been made the previous August in Wiesbaden, Germany, at one of a series of performances of the works the two gave in Europe and the United States during 1998. Mutter frequently toured the United States, often playing alongside Orkis. In 2009 she collaborated with Kurt Masur and the Leipzig Gewandhaus Orchestra on a recording of Felix Mendelssohn’s Violin Concerto in E Minor.
In 1997 Mutter founded the Anne-Sophie Mutter Circle of Friends Foundation to provide financial support and instruments to young string players.
Mutter frequently commissioned new works, including Lichtes Spiel: Ein Sommerstück (premiered in 2010; Light Game: A Summer Piece) by German composer Wolfgang Rihm and Violin Sonata No. 2 (premiered in 2013) by German American pianist, composer, and conductor André Previn, Mutter’s second husband (2002–06). She also frequently worked with American composer Sebastian Currier, on such pieces as Time Machines (premiered in 2011) and Ghost Trio (premiered in 2019) as well as with Polish composer and conductor Krzysztof Eugeniusz Penderecki, on La Follia, for solo violin (premiered in 2013) and Sonata for Violin and Piano No. 2 (premiered in 2018). In addition, American composer John Williams wrote several works for Mutter, a couple of which she premiered with the Boston Symphony Orchestra at Tanglewood—the BSO’s summer retreat in the Berkshire Hills, Massachusetts—namely Markings (2017), for solo violin, strings, and harp, and Violin Concerto No. 2 (2021).
In 2019 Mutter received the Japan Art Association’s Praemium Imperiale prize in music.
