Adolphe Adam

French composer
verifiedCite
While every effort has been made to follow citation style rules, there may be some discrepancies. Please refer to the appropriate style manual or other sources if you have any questions.
Select Citation Style
Feedback
Corrections? Updates? Omissions? Let us know if you have suggestions to improve this article (requires login).
Thank you for your feedback

Our editors will review what you’ve submitted and determine whether to revise the article.

Print
verifiedCite
While every effort has been made to follow citation style rules, there may be some discrepancies. Please refer to the appropriate style manual or other sources if you have any questions.
Select Citation Style
Feedback
Corrections? Updates? Omissions? Let us know if you have suggestions to improve this article (requires login).
Thank you for your feedback

Our editors will review what you’ve submitted and determine whether to revise the article.

Also known as: Adolphe-Charles Adam
Quick Facts
In full:
Adolphe-Charles Adam
Born:
July 24, 1803, Paris, France
Died:
May 3, 1856, Paris
Also Known As:
Adolphe-Charles Adam
Notable Works:
“Giselle”

Adolphe Adam (born July 24, 1803, Paris, France—died May 3, 1856, Paris) was a French composer whose music for the ballet Giselle (1841) is noted for its easy grace and cogency. It has retained its popularity with dancers and audiences to the present day.

Adam wrote more than 70operas, of which the most popular in their day were Le Châlet (1834), Le Postillon de Longjumeau (1836), and Giralda (1850). In his ballets—which he composed for production in London, Berlin, and St. Petersburg, as well as Paris—he skillfully coordinated the music with choreographic demands. His works were successful during the mid-19th century, but few, other than Giselle, are regularly revived.

This article was most recently revised and updated by Encyclopaedia Britannica.